All of the grading modes process data from top to bottom. Custom Look is where the magic happens, and you’ll quickly notice that it is actually an umbrella color profile that offers several different grading modes:Įach of these grading modes are structured differently, but they are all function similarly. These color profiles are pretty self-explanatory, except for ‘Custom Look’. You can update the Look profiles per shot, or to multiple clips as needed. Custom Look: Custom Look Built Inside of Silverstack.User-Defined LUT: Load in your own cube.Preset: Select a camera manufactured LUT supplied.File: Inherent color profile from embedded metadata.None: Ignore all color adjustments, transforms, and matrices.In both the drop down menu in the viewer and the metadata field on the right tab, you can change your clips’ color profile to: It’s possible to override the color settings in your clips. The LV5333 – a popular on-set image analysis unit from Leader. Running scopes separately from the picture monitor is how most D.I.T.s prefer to work. It’s recommended you supplement your image analysis needs with 3rd party scopes such as Blackmagic’s UltraStudio or a Leader Unit for added features. You can send out an SDI signal to a calibrated display if you’re running Silverstack XT or higher, with the right combination of hardware. The Camera icon shows the Source, and the Color Wheel icon displays the Look.ĭon’t forget that your image analysis tools are built inside of Silverstack helping you evaluate picture in a few different ways. These controls are located right beside the shuttle buttons. This arrangement is specific to camera formats which support logarithmic recording, otherwise the buttons simply behave just like a bypass color button. ![]() There is a simple two-button interface to toggle between the LogC source and the Look. In our case, we used a bleach bypass look. If you’re not using a custom look, the Alexa defaults to the standard LogC to Rec709 matrix. Upon ingest into Silverstack, the LUT is turned on by default. None of this was burned into the files – this color information is stored in the QuickTime header. During production, picture was monitored using a custom show LUT. This material was shot on an Arri Alexa Classic, encoded in Apple ProRes with a LogC gamma. EVALUATING COLORĬontinuing on in this Series, our media is securely downloaded to our local storage volumes. ![]() LiveGrade is not covered in this series, and will be an entirely different set of Insights here at. Typically, grades created with LiveGrade are matched to files held by Silverstack via timecode. Silverstack works great with Pomfort’s LiveGrade as a one-two punch combo for the ultimate solution for data and color management in production. ingested the media from camera at their station. ![]() Color correction inside of Silverstack can be affectionately referred to as ‘Delayed Grading’, since picture adjustments can only happen after the D.I.T. Note: ‘ Live Grading’ is not possible from inside Silverstack it does not accept video signals coming in real-time. jobs require use of these color tools – you may never touch these controls at all, but it’s equally important that you understand how they work and fit in a production context. On-set color correction is an entirely different kind of problem solving than it is in the finishing room. In most instances, these type of granular decisions are better executed in a color suite. The color tools are designed to be used on-set, in an environment where adjustments to picture such as grain emulation and shape tracking are non-essential. Silverstack is not a finishing application. Well, this all makes sense once you understand that the motivation for color in Silverstack is strictly for pre-visualization. What gives? With Resolve Lite being absolutely free and demonstrably more powerful, why does Pomfort bother with allowing color correction inside of Silverstack to begin with? But there isn’t any power windows, tracking, OFX support, or HSL qualifications. At our full disposal are the usual color tools – LGG wheels, RGB offsets, LUT and full ACES integration. You can absolutely perform color correction from inside of Silverstack while on-set. Tutorials / Learning Silverstack / Learning Silverstack Part 4: On-Set Color Management Series
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